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I have been surprised on a number of occasions by just
how badly some students take a failure. On the other hand I have been
happy with the mature way in which some have reacted to a disappointment.
(I should point out that I have never given a grading in Britain and
am referring to my experience in Hong Kong.) I remember that there was
one fellow I failed and I actually expected that he would give up Aikido
when I informed him. On the contrary, he responded with a smile as though
saying "Not to worry: there's always the next time".
Some may feel that they have been treated unfairly in
that they have held their present grade much longer than some who have
advanced to the next one. But have they been practising, say, just twice
a month as distinct from, say, two or three times a week as in the case
of those who have moved ahead of them? Another important factor to consider
is what level of instruction is one receiving. In other words, some
may be under the watchful eye of a senior yudansha, whereas others receive
their instruction from perhaps a 2nd or 1st kyu. Some, too, use class
time more constructively than others and may even practise at home.

Once, on failing a lady, I asked her how she felt she
had done. Since I felt she had not been even near the borderline I did
not expect her answer "very well". So what does this tell us? Well,
to me, that the examiner sees a lot more than the examinee.
Let's advance on this. Student 'A' makes a number of
mistakes in the techniques but get everything else (distance, timing,
coordination, manner, etc.) right. Student 'B', on the other hand, makes
no mistakes in the techniques but gets everything else wrong. If we
observe a 3rd kyu, shodan, sandan and rokyudan executing shiho-nage,
although basically they are all doing the same thing, there are differences
between them. Then there are those who almost demand to be graded in
spite of having reached a stage where they do not seem to be able to
progress any further for reasons such as past injuries, age, attendance
or attitude. In the case of such people I sometimes wonder why in practising
with people of the same grade or of lower grades, they cannot evaluate
themselves. Then there is the opposite of this when students of a certain
grade refuse to go further. In the days when I practised Judo there
was one fellow I remember who stopped taking grades at 1st kyu although
he probably reached nidan level. He used to delight in flinging dan
grades around!
In awarding grades I do take into consideration age,
in that I do not expect a 58 year old student to perform in the same
way as a 20 year old. As for yudansha I look for a lot more than technique
as I feel that a hakama in the wrong hands, so to speak, can do a lot
of damage to Aikido, especially in areas where a shodan grade is quite
significant.

Some years ago we had in Hong Kong a very good, very
big, very strong student whom everyone enjoyed practising with. In other
words, nobody was afraid of him. To me this said a lot when I came to
grade him shodan. In Hong Kong all those wishing to try for shodan must
first discuss it with a senior grade (we have 5 yondan) - usually the
one who has most influenced them.
Hong Kong is often referred to as the crossroads of Asia,
it being the stopping-off point to Japan, Taiwan, China, Thailand, the
Philippines, etc. On visiting the dojo I have often found that we had
a visitor from abroad. Over the years some that sported hakama in my
opinion were not of dan grade standard. Nevertheless I have always welcomed
them and not made them feel uncomfortable. After all, it is those who
awarded such grades who should be accountable. I constantly tell our
students that if they visit another country and are below par, it is
me that it reflects on.

In conclusion let me say 'do not worry about grades unduly:
they will come with the years'. Some of you may feel - as once I did
- that you will never wear a hakama. But excluding accidents or other
unforeseen circumstances, you will.
Kenneth Cottier Shihan
2002. |
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